Día de los Muertos Concert
with Flower Songs Music, Music Beyond Borders, Mexico Atemporal Music
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This weekend, and Dia De Los Muertos in particular, is a time when the space between worlds is thin. The world of the material and immaterial, the world of the present, the past, and the future. While there are many tools that help us walk the bridge between these worlds, this weekend has a special focus on the importance of memory as one such tool.
Music, as an artistic and communicative medium, is directly tied to memory, and also deals with questions of past, present, and future. A rhythm or a melody only exists in relation to what comes before and after. If taken as discrete events, each individual sound becomes noise, but our memory is an arithmetic that turns these sounds into something greater than the sum of their parts, turning noise into music, communication, and narrative.
Music is reliant on memory because it is a time-based medium, and time, as a social construct, also cannot exist without memory. Entropy does, things change, evolve, and decay, but without memory we exist in a constant state of now without comparison to what has been or what will be. Said another way, music, time, and memory are inherently relational, and they share an interconnection between themselves even as they open the door to understanding our own interconnected life.
Traditionally, we think of memory as relating to the past, creating a sense of time that leads to the present moment, a one way arrow with our living experience at the tip. Memory, however, also extends into the future. Just as every note in a melody or harmonic progression is defined by both what comes before and after, we are made up of those who came before us; who we are now persists in the other direction as well, creating time for us in both directions, shifting our relationship to time from an arrow into something bi-directional, shaping our identity from both what has come and what will be.
This notion of future memory is directly related to the concept of the Long Body, an idea found across many indigenous cultures in the Southwest and beyond. The Long Body is a larger understanding of our individual identity, a greater sense of interconnected self that stretches not only from the future and the past but also laterally, embracing a relational understanding of everything around us, both human and otherwise, acknowledging a wide interwoven tapestry of being between all things.
Psychologist Dr. Stanley Krippner says “Memory is the ‘long body’ stretched out in time, into the future, as well as the past…Memory is personal and individual, but it is also transpersonal and provides an opening to transcendent experiences.”
Dia De Los Muertos is rooted in the same concept of the Long Body, using memory as a way of bringing our ancestors present with us today. On this holiday we dine with the dead and wear their faces as our own in traditional Calaveras, shining a light on our mortality and embracing our identity as a future ancestor to those who are yet to be. Dia De Los Muertos is a celebration of our ancestors, an acknowledgement of who we are as defined by what came before and what will come; our line of past ancestors is unfathomably long but will always be overshadowed by the line of future ancestors that expand beyond us, and we exist, right now, at the crux of both.
Tonight we celebrate our dance between past and future, a continuous flow that does not contain itself to the world of the living, but encompasses all aspects of reality: this world, that which has passed, and the next. This music is eternal and ongoing, and we tap into it for a moment, picking up the melody others have begun and adding to the harmony as we continue to build the foundation for those who will follow.
Performers
Christopher Garcia
Christopher Garcia is a composer, improviser, multi-instrumentalist, educator, and a "native" of (East) Los Angeles, "grew up in Belvedere, between Boyle Heights and Maravilla in the county of (EAST) Los Angeles, not the city." (California, USA) i.e. same planet, different world. "A musical polyglot" he continues to be invited to compose and play his compositions in 28 countries on 5 continents some know of his work as either a drummer/marimbist or a percussionist of the north or south Indian percussion,
or a multi-instrumentalist who also plays breath, percussion, and string instruments of Mesoamerica, or as a composer of all of the above in the following musical circles: avant-garde, and cartoon music, classical, chamber and symphonic music, the indigenous and folkloric music of Mesoamerica and Mexico, Jazz - inside, outside, sideways, and upside down, percussion ensemble, Rock, soundtracks, World Music, the MUSIC OF FRANK ZAPPA
This marks the first time that all 3 ensembles that Christopher Garcia composes and performs with are sharing the same stage.
https://christophergarciamusic.weebly.com/compositions-reviews.html
Alegria Garcia
Alegria Garcia has been a soloist in every choir she has ever been in since she was 5 years old and performs with her father since 2005 singing in Spanish and Nahuatl every year at LA VIRGEN DE GUADALUPE, DIOS DE INANTZIN as well as drumming at the great cathedral of Los Angeles. She also sings in French, German, Purepecha, and Spanish, and when not playing music she is a full-time archaeologist with 3 degrees and boots on the ground in Belize, Guatemala, Honduras, Mexico, and the United States. Besides being an exceptional musician Alegria is a Mesoamerican archaeologist, educator. With degrees in History, Anthropology, and Art History as well as boots on the ground as an archaeologist in Belize, Guatemala, Mexico and the United States.
https://www.facebook.com/alegria.garcia.16
https://www.instagram.com/xicana_indiejane/lin
https://flowersongsmusic.weebly.com/alegria-bio.html
Yolanda Delgado Garcia
Yolanda is a native of del Valle del Yaqui in Sonora, MX, and grew up with the Yaqui on one side and the Seri on the other. She attended Universidad de Sonora Altos Estudios where she studied Spanish literature. She arrived in Los Angeles California 1983 and had the opportunity to learn and work as a bilingual media reporter for EL SOL DE Los Angeles and LA OPINION, covering community services and events for Spanish speakers in the city and county of Los Angeles.
She continues to be in demand as a translator for different musical organizations translating listening guides and voice-over narrations as well as being a member of FLOWER SONGS MUSIC.
Yolanda can be seen and heard in numerous YOUTUBES created with FLOWER SONGS MUSIC and continues to do research, translations, and performances in the United States and Mexico as a familia whenever possible.
https://flowersongsmusic.weebly.com/yolanda-bio.html
Tasha Smith Godinez
Tasha Smith Godinez is a lifelong musician. She began her musical studies as a child with both the violin and harp and has continued to dedicate her life to making music ever since. Tasha has studied the harp with internationally acclaimed performers and instructors including Isabelle Perrin, Elena Mashkovtseva and Susan Allen. She holds performance degrees from both San Diego State University (BM 2005, MM 2010) and l'Ecole Normale de Musique Alfred Corot in Paris, France (2006).
Ms. Smith Godinez has previously held the position of principal harpist for both the Orquesta de Baja California (Tijuana, Mexico) and the Grossmont Symphony Orchestra (San Diego, California) as well as a handful of appearances with the San Diego Symphony.
Outside of her work as a classical musician, Tasha is passionate about jazz and world music. She brings to this music a blend of the many musical influences and abilities creating an interesting and well-rounded playing style.
Ms. Smith Godinez is the founder of ENNANGA Records and Publishing. Her published discography on the Ennanga label include solo albums, Postcards from the Soul (2014) and HarpCHICK (2020). She has also released a recording of Michael Byron's solo harp work, In the Village of Hope, on the Cold Blue record label (2015) and a new album of avant-garde music, Metamorphoses, on Centaur Records (2022). Her debut album as a composer, Out of the Desert (2022) was met with international acclaim. Tasha's most recent recording, The Narrow Path will release in June 2024.
Tasha teaches harp lessons in San Diego, CA where she is Professor of Harp at the University of San Diego (USD) and Palomar College as well as director of the San Diego Harp Academy.
TASHA SMITH GODINEZ
https://www.facebook.com/HarpByTashaSmith
https://www.instagram.com/tashagodinez/
https://ennanga.bandcamp.com/album/out-of-the-desert
Pablo Leñero
Pablo Leñero is a pianist, percussionist, and electro -acoustic composer born and raised in Mexico and based in Los Angeles, California. Through the lens of decolonization, Leñero explores the music and instruments of the folkloric and indigenous traditions of the Americas and its integration with the western art practice and contemporary expressions.
Leñero is also an experienced educator and creative producer. He leads the not for profit project CultivArte, with the mission to celebrate, promote, and cultivate the cultural expressions of the Americas through low cost arts education programs, cultural events, and digital media.
PABLO LEÑERO
https://www.facebook.com/pabloenface
https://www.instagram.com/pablo_lenero/
https://pabloleneromusic.bandcamp.com/
Harry Scorzo
Commercial and jazz violinist Harry Scorzo studied violin and composition at East Los Angeles College, Immaculate Heart College Conservatory, and privately with Mary Ann Ringold and master teacher Noumi Fischer. Additionally, he studied conducting with Bob Cole, and composition with Dorrance Stalvey, and taught the Latin percussion ensembles at Musicians Institute in Hollywood. He turned pro while still in the conservatory and has over forty years of professional experience. He is currently a professional violinist in the Los Angeles area, as well as a composer/arranger and teacher. His writing and violin solos can be heard in the recordings of Bongo Logic (Rycodisk, Rhythm Safari, and Montuno Records) and The L.A. Salsa Society, as well as in many motion picture soundtracks, television programs, jingles, and recordings. He was a violinist/arranger at Death Row records in the mid 90s, staff contractor/concertmaster/producer for Rampart and Phonovisa records, and he toured with Page and Plant (the MTV Unplugged ensemble 1995), Grant Geisman, Juan Gabriel, and his own bands, Eastside Connection and Bongo Logic. He became a fixture in the studios and concert halls of L.A. from the early 70s until moving to Menifee in 2016. His violin playing has been featured in motion pictures like Envy, Rushmore, Rocky and Bullwinkle, Welcome To Collinwood, Do the Right Thing, and "You Kill Me". His T.V features include The Mind of the Married Man, Resurrection Blvd., MTV's The Osbornes and AMC's "Mad Men". He's been on stage alongside the likes of Stevie Wonder, Rod Steward, Heart, Lionel Ritchie, Ray Charles, Three Dog Night, and hundreds of others, and his music library is widely used around the world. Harry currently teaches classical and jazz violin at Temecula Conservatory of Music and totally loves his students and their families. He feels extremely useful and engaged passing on the traditions of his childhood teacher Noumi Fischer. Harry has written 2 books on jazz violin: Mastering Minor 7 Pentatonics, and Bebop Scales.
https://www.facebook.com/hscorzo
https://www.instagram.com/hscorzo